La piel del diablo

ORO NEGRO: A homage book for Tino Casal

In the next sequence, you can see the process between the first sketch and the final illustration. The first one is done with a blue pencil, (so when I scan it I can delete the blue channel and keep the useful lines). The next two images remain to the traditional inking, with brush pens, and the digital inking, where I can reach a much more detailed image.

The last one is the final illustration, with the perfect texture, light balance, and adding shadows or color depending on the image and the background assigned.


The next graphic is a quick view from all the illustrations in the book. Obviously, the color is one of the main features in this project. I have used it as a guide to identify the film as well as to unify the whole group, to make them look part of a set, and not independents.


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